Schizophrenia Sets In
(Hey, that rhymes -- it might make a good song. Probably blues...)
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There's kind of a shrugging acknowledgement of the condition of the church. There isn't a place for the 'other', for the 'too different', for the 'problem' people, especially for those people who are suffering the natural consequences of their own choices and actions. There is a dirth of the grace we're supposed to extend. I'm crushed because I just realised that I'm fully guilty of what I'm saying – the role of the Christian is to be the face of Christ to a hurting, seeking, struggling world. A world that we seem to have detached ourselves from at every turn. Rather we look for a place where we feel comfortable, established and settled. Silly, silly us.
How many opportunities do we miss because our brains are locked into set paths? Tons. Resistance to the new is problematic at every level. When we have the chance to interject truth into life, there is instead a church-wide knee-jerk reaction made at a mass media level. We have failed. We fail to achieve what we claim to want to achieve, and instead find success' surrogate. The wall and boundaries get fortified and reinforced until they are in danger of toppling down on us.
I'm saying that homogeneity is the rule of the day within the Church. And I'm saying that gives us the gauge to show us by how far we're missing the point.
I have a despair about postmodernism. Whenever the dice land, we keep throwing them again. I've begun thinking about what's after postmodernism. (Is post-postmodernism ubermodernism?) But we can't underestimate the value in the constant questioning. This is still a pendulum swing away from not questioning nearly enough. And, I guess the followups are, "Are we questioning enough yet? And if not, when?"
Labels: inspiration
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Labels: humour
I'm trying to understand how God fits into this story. There are passing references to him, in the prayer/wishful thinking of the AA meetings, and there is even a scene where Sherry clearly prays, but these are pretty minor references in such a, well, gruesome story. And I have to start to think that maybe that's the point. I can't tell if that's the creators' intention here, but this film seems to examine a godless existence where a dependence on drugs, sex and even family seem to be surrogate answers to fill the longing in humans for Him. So many things are attractive bait to slefdestructive snares. Every element of life is perverted in this film, to the point where, I have to imagine, it pretty accurately reflects reality. The redemption in this story is so tremulous and feeble that it also, to me, mirrors a reality without Christ.
How they got that kid to come on board, and make such a coherent impact here, I don't think I'll ever know. I would honestly love to talk to her in about 5-10 years and see how she remembers this whole experience. She fits so well, her moods so in sync with what's happening (and needed) onscreen, that is was actually pulled out to contemplate it. I had to keep reminding myself that this is a work of fiction. I think, obviously, huge credit goes to Maggie for be able to so perfectly “be there” that she could so acutely work with everything that little girl gave.
It's a dark movie, no question, but there are elements that make this a very worthy effort, and for those who are either in it and haven't recognised yet it, or for those who will never see its world firsthand, Sherrybaby is for you.
Labels: review
Glocalisation: This first shot could have been taken just about anywhere in the world. To me the context of the shot (urban shopping establishment) isn't at all important to the outcome of the photograph. I shot wide open with my 50mm f/1.7 lens -- though the focus falloff isn't entirely obvious at this size, it's pretty remarkable at desktop size or bigger.

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